Lines, shapes, and rhythms are cut into the surface of the linoleum as interventions in a solid material.
Image gallery
Workshop Linolschnitt: Oberfläche und Spur
Instead of color, the focus is on the pure surface. The paper is altered solely through pressure and contact. It absorbs the structure of the cut linoleum without an additional layer, without an image. What emerges is a silent transfer from surface to surface—a trace of pressure, resistance, and touch. Not only motifs become visible, but also reliefs, compressions, and subtle shifts in the material.
The result is a series of works on paper that are less images than imprints of touch—reduced traces of a process between cutting and pressing.
Additional information
Dates
July 2026
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