CTM Festival 2026
A solo acoustic performance by Lukas de Clerck dives into speculative music reimagining the aulos – an ancient Greco-Roman double-reed pipe for which we have no sonic record.
Creating replicas of the instrument thanks to the written archive, De Clerck opens-up the aulos to personal and collaborative sonic experimentation, reaching into microtonality, psychoacoustics, raw textures, abrasive drones.
Dror Feiler channels his uncompromising engagement with politics and resistance into his new project "No IS". Joined by his NO Orchestra, high-pressure sonic fields collide with the poetry of Ghayath Almadhoun, speaking from the wound of exile, war, and ongoing destruction that the world prefers to describe as "the way things are".
Together, noise and poetry create a field of resistance: Noise as rupture of the audible world. Poetry as rupture of the linguistic world. Together they say: The world cannot remain as it is.
