Divine Animal

As bureaucracy strips away their home, belongings, and sense of self, Betty drifts through a labyrinth of offices, notices, and dead ends. Along the way they meet Regina, an older woman who roams the streets with her shopping cart, convinced that even in trash there are treasures, poetry, and fragile glimpses of beauty. She dances tango, opening a doorway to tenderness and a utopian elsewhere.


The staging unfolds as a triptych—street, tax office, apartment—placing the audience inside Berlin’s contradictions: openness and exclusion, beauty and ruin, collapse and reinvention. What remains possible when the system erases everything? Can dignity, freedom, and tenderness still survive?


Tender, wild, and defiantly alive, Divine Animal speaks of precarity and resilience, of the fragile strategies marginalized bodies invent to keep meaning alive amid chaos.