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Since
the 1980s, Carrie Mae Weems has consistently explored issues of gender,
race, and class, as well as the asymmetry of sociopolitical power
relations and their consequences, while constantly questioning the
status quo.
the 1980s, Carrie Mae Weems has consistently explored issues of gender,
race, and class, as well as the asymmetry of sociopolitical power
relations and their consequences, while constantly questioning the
status quo.
Her artistic practice spans photography, video,
site-specific installations, texts, performances, and activist
campaigns. Weems often uses visual quotations from historical,
scientific, museum, and pop cultural contexts as an act of
reappropriation and empowerment concerning the politics of
representation in general, and of Black (hi-)stories and lived
experiences in particular.
For the n.b.k. Billboard series, Weems adapted the photograph Queen B,
which is part of an extensive series of images devoted to the R&B
icon and actor Mary J. Blige. Weems produced the series in 2017. In
context of the n.b.k. program, this work will be represented for the
first time in the urban space. Here, it undergoes a temporal and spatial
recontextualization to take on further narrative strands, for instance,
with regard to current events surrounding the British monarchy.
Weems staged the opulent set for Queen B by recalling the pictorial structure and codes of baroque still-life
painting – a reference to the “golden age” of Western European art and
the economic growth of colonial powers based on exploitation. The
abundant arrangement of flowers, fruits, crystal glass, and silver was
enriched by the artist with artifacts such as a Bambara Tyi Wara
headdress from Mali and an ebony figurine from Nigeria, as well as
objects by contemporary artists such as Kehinde Wiley, suggesting wider
narrative threads around power and beauty. With the crown motif, Weems
also references Jean-Michel Basquiat, who used it in his art as a
recurring symbol associated with expressions of Black culture.
Multidimensional
perspectives that do justice to the complexity of humanity are central
to Weems’ oeuvre. She reflects on representations of power and examines
the objectifying gaze inscribed in the history of the medium of
photography. In her meticulously composed works, Weems deliberately
seeks to destabilize and reverse (historical) power relations.
The work Queen B follows on from Weems’ earlier Slow Fade to Black – the 2010 series pays homage to Black musicians and cultural figures
of the 20th century, including Dinah Washington, Nina Simone, Leontyne
Price, Mahalia Jackson, Shirley Bassey, Ella Fitzgerald, Abbey Lincoln,
Eartha Kitt, and Koko Taylor.
- Curator: Lidiya Anastasova
