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Deutschland in Spiegelstrichen

It is November 1, the birthday of the protagonist in White Passing and Algerian Revolution Day. A doubling that always triggers her a bit. And so, as so often, she sits alone in the Einstein Café on Savignyplatz and feels more strongly than usual connected to her secret, second side: her migration background, which no one sees in her and no one suspects from her name.


When she comes home and discovers Jule and Thomas' leased plug-in hybrid SUV and Max's racing bike outside the front door, she flees from the surprise party to Badstraße in Wedding and into her past.

WHITE PASSING deals humorously and with great self-irony with attributions and the question of identity. In doing so, author Sarah Kilter skillfully creates an arc from the concrete story of a young woman to socially critical observations about Germany and the Germans.

(Program in German)

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Additional information
Participating artists
Fabienne Dür (Dramaturgie)
Malte Hurtig (Technische Leitung / Licht)
Miró Michélin (Musik)
Antonia Siems (Ausstattungsassistenz & Technische Assistenz)
Lars Georg Vogel (Regie, Bühne & Kostüme)
Sarah Kilter (Autor/in)
Melissa Anna Schmidt (Sie)
Natalie Mukherjee (A (Lehrerin) / Jule)
Urs Stämpfli (B (Arzt) / Max)
Julian Trostorf (Thomas)
Dates
November 2024
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