ANTIGONE pitched

Antigone enters into conflict not only with the destabilized ruler figure Creon and her sisterly lover* Haimon*ie, but above all with herself. More precisely: with a self-contained conception of subjectivity of the Western type.

For this purpose, voices and gestures are distorted, alienated and hysterified to the point of the unfamiliar by means of “pitching”. The result is an exposed, overformalized mode of representation that makes more complex forms of subjectivity and abstraction imaginable. Characters, identities, bodies, music, stage, costumes, and audience find new points of connection that simultaneously complicate and poeticize. Relationships of care can be reimagined from there and illuminated in their ambivalences. Also in a way of working that is deliberately processual and tries to give space to those in the theater business who do not fit:

„This call is for those,

who are faced with themselves as vulnerability and fragi­lity every day.

For those,

who fight for their ex­perience to be seen.

For those,

who were never meant to live:

because this world was built against them.

This is for you.”

(Adapted text passage based on Johanna Hedva: Sick Women Theory)

Under the label ANTISEPT, Julia*n Meding invites different collaborators to work on self-empowering readings of chronic illness / disability and alternative concepts of healing. Together the constellation develops rehearsal strategies and forms of sensual mediation.