
MaerzMusik 2025
Aliénor Dauchez, Bastian Zimmermann and Kuba Krzewiński invite the audience for an immersive sound and touch treatment in a group of around 80 people at a time: A fingertip glides slowly over the notches of the almost smooth programme sheet. A drop of sweat runs hastily down from the over-ear and moistens the neck. A final accelerando and rallentando of a fingernail on the scalp causes a vibration of a few hertz. The vibration sets the intention in motion. Everything is ready. Let’s get started. “Salon of Touch” is a collective experience between performers and the audience with musical works that move along the threshold of touch and sound.
Aviva Endean: A Face Like Yours
“A Face Like Yours” invites the audience to take part in a sonic exploration of their own face; the experience “amplified” by inserting foam earplugs into their ears. Following the visual instructions from the performer on screen, the audience are led through a series of actions to create a soundscape that only they can hear. The piece leads the player through a series of thuds, flickers, hums, squishes, tingles, powerful bass tones and miniature sounds, as they explore the varied textures and sonic landscapes of their own head. “A Face Like Yours” uses the medium of silent film to create a visual score, requiring the active participation and imagination of its viewers to sound the work. – Aviva Endean
Kuba Krzewiński: Contre No. 1
contre (Fr.) – against, versus
Piece about points and lines, points of contact and counterpoints, positions and oppositions. – Kuba Krzewiński
Jeppe Ernst: Offertorium: Behandling B
“Offertorium: Behandling B” is music for physical touch and is to be performed by two male performers. The piece is composed for the torso and the two male performers should therefore be naked from the waist up. The two performers are sitting on two chairs facing each other. When the hands are not in motion they should be resting on the thighs with clenced fists. The piece is the second in a cycle consisting of four pieces with the overall title “Offertorium”. Since the musicians won’t have the score in front of them during the performance, the piece is to be memorized. – Jeppe Ernst
Kuba Krzewiński: Listen with your hand
Let your ears rest. Refocus your hearing to a palm, a fingertip, the back of your hand. Listen directly. From up close. Hear a surface, feel a texture, sense vibrations through your bones. Touch. – Kuba Krzewiński
Programme
Aviva Endean
A Face like yours
sound work for video, foam earplugs and viewer (2015)
Kuba Krzewiński
Contre No. 1
for violin and cello (2016)
Wojtek Blecharz
blacksnowfalls
for timpano solo (2014)
Jeppe Ernst
Offertorium: Behandling B
for two performers (2016/17)
German premiere
Kuba Krzewiński
Listen with your hand
for three string instruments and one performer (2025)
Commissioned by MaerzMusik
World premiere
Cast
- Kuba Krzewiński – composition, concept
- Bastian Zimmermann – dramaturgy, concept
- Aliénor Dauchez – direction, stage, concep
Performers
- Mia Bodet – violin, timpano
- Kuba Krzewiński – violin
- Sophie Notte – violoncello
- Michał Pepol – violoncello
Additional information
“A Face Like Yours” was created with the assistance of Chamber Made Opera and Professional Partnerships Scholarship VCA/MCM/Creative Victoria.
“blacksnowfalls” was composed for 47th International Summer New Music Courses in Darmstadt.
“blacksnowfalls” was composed for 47th International Summer New Music Courses in Darmstadt.
Dates
March 2025
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