Hans im Glück & Rumpelstiltskin

The specially designed format, which presents two half-hour fairy tales per performance, underlines the close connection between the unique charm of these stories, their special comedy and the gripping, scary atmosphere with the deep-rooted fears and hopes of everyone.

In no time, the stage is transformed into a festively set table with something for everyone: highly entertaining enjoyment.

“A little bit of happiness becomes a big thing …” A fairy tale that could just as easily tell the success story of the former cauldron: from the parasitic punk theater in the backyard to the paradisiacal park stage to a magnificent state theater. There is no other way to tell this unique story of this “Hans-Im-Glück-Theater”, whose ensemble has always grown with its naive optimism and enthusiasm for playing and, with a joyful composure, was able to turn any setback into a success in the end Simply experiencing fairy tales.

Oh how good that nobody knows... What the title of this fairy tale is. Because who, pray tell, is this completely crazy creature who suddenly appears in the miller's daughter's dark room without being asked? Who on earth will transform this dungeon into a show stage of international caliber within seconds? Man, it's on the tip of your tongue... But it's also worth milking: just when you're successful, everyone shouts "More!" shouted. And so the beautiful miller's daughter spins straw into gold and weeps, and spins, and weeps and spins. The king, this Grimm Scrooge McDuck, actually demands more and more. Then the miller's daughter, out of great need, promises her firstborn to the lost little man, who rushes to her rescue. It's just a shame that no one knows his name! Because without him, she will never see her child again.