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Jasmine Hearn, Pamela Pietro and Nicola Bullock

How do we want to set up the room? Conversation between Pamela Pietro and Jasmine Hearn is an improvised, embodied landing score and dialogue that references their six-year practice of encounter and movement, in which they know each other as friends through form, tone and shape.

Duett / Jasmine Hearn and Pamela Pietro  

By and starring Pamela Pietro, Jasmine Hearn

Gestures 289 / Solo by Pamela Pietro directed by Jasmine Hearn

This solo is a study in movement that is part of a breathing anthological catalog of Jasmine Hearn's dance and performance line. In collaboration with Pamela Pietro, this work maps presence and patterns of holding and letting go.

Direction: Jasmine Hearn, Choreography: Jasmine Hearn, Pamela Pietro, Performance: Pamela Pietro, Sound: Jasmine Hearn

I'll remember your spine, Matr / Solo by Jasmine Hearn

This solo is a prelude to the forthcoming project Memory Fleet: A Return to Matr, showing the results of trips to Macedonia and Italy.

Concept, Performance: Jasmine Hearn, Sound: Jasmine Hearn

All the things I thought I knew but / Solo by Pamela Pietro

Concept, performance: Pamela Pietro

Subtle Overwhelms / Solo by Nicola Bullock

A dance theater piece that deals with the nothing in life. Through movement, poetry and song, Nicola Bullock seeks to negotiate and surrender to the invisible power of the void as a metaphor for what cannot be known. Questions like Do we make sense of things that don't make sense? and How do we process the lack of experience? set improvisational scores and choreographies in motion on a journey in which we explore unknown space and unknown time together. (Audience participation is voluntary.)

By and with Nicola Bullock


  • Duet (15 min)
  • Gestures 289 (10 mins)
  • I'll remember your spine, Matr (15 min)
  • All the things I thought I knew but (15 min)
  • Subtle Overwhelms (40 mins)
(Program in German & English)
Additional information
Pamela Pietro is an independent artist, performer and educator who studied dance with a minor in Biomedical Ethics at the University of Washington. She is Acting Chair of the New York University Tisch School for the Arts, Department of Dance. She was awarded first prize for academic achievement and performance by the National Society of Arts and Letters and received a gold medal at the Asiagraph Video/Choreography Competition in Shanghai, China.


Jasmine Hearn is an internationally-touring interdisciplinary artist, director, performer, choreographer, organizer, doula, and teacher. They are committed to performance as an expansive practice that includes a spectrum of dance and somatic traditions and techniques, sound composition, design, cooking, and the archiving of matrilineal memories.


Nicola Bullock studied dance at the University of the Arts (Philadelphia, PA). She works as a choreographer, dancer and writer and lives in Berlin, driven by her physical urge to dance and create. Her solo and group works have been performed internationally.