What can art history actually still do? Is it not inextricably entangled in colonial and sexist structures? Or can it be made useful for coming to terms with systems of oppression and corresponding narratives?
To kick off the Velvet Voice Club, the editors of TEXTE ZUR KUNST invite voices who speak to the intersection of Black Studies, crip studies, or queer feminism with art history.
The event seeks to explore the potential of the academic institutionalization of marginal and normativity- and power-critical positions.