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“Until It’s Something Else” explores dance as a technology of the body – as part of Johann Eggebrecht’s research into body-based practices that reclaim attention through repetition and sustained tasks.


The piece moves between routine and ritual, energetic labour and the language of dance, joy and a horror trip – inspired by raves and the gentle discipline of repeating something until it ceases to be one thing and begins to become something else.


Using a contact microphone that amplifies repetitive steps, Ismael Yakout processes the sounds live through a modular system, creating a noisy, hypnotic soundtrack that flows back into the dance. Body and sound reinforce one another, generating rhythm and creating a mysterious space.


What happens when attention persists beyond the comfort zone, beyond boredom? Is it loving devotion or rigid, forced labour? What lives in the pauses, in the in-between?

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Dates
September 2026
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