
Eliza Doolittle is at the very bottom of the social hierarchy: without money, education, and linguistic eloquence, but with all the quick wit of rough street slang, she struggles to survive by selling flowers to passersby.
One rainy evening, however, she meets linguist Henry Higgins, who seems both annoyed and fascinated by Eliza's diction and behavior. Eliza, on the other hand, sees Higgins as her chance for a new life and asks him for elocution lessons. He makes a bet with his colleague Colonel Pickering: Higgins will introduce Eliza to the high society of the English upper class within three months.
George Bernard Shaw wrote his ironic-satirical work as a supposed romance without a happy ending.
Pygmalion is based on the myth of the same name by Ovid:
A sculptor promptly carves the perfect sculpture and promptly falls in love with it. Many years later, Shaw's play was adapted as a love story and, under the title My Fair Lady, became a worldwide Broadway and cinema success.
Bastian Kraft places the language experiment at the center of his exploration. Combined with the actors' biographical experiences, he gains a personal insight into how language and class are intertwined.
What exactly is "bad" speech? Can people play all kinds of social roles once they have mastered their language? And aren't they ultimately betting with themselves every day whether others will buy into their own role?
Additional information
Participating artists
Peter Baur (Bühne)
Bastian Kraft (Regie)
Christopher-Fares Köhler (Dramaturgie)
Inga Timm (Kostüm)
George Bernard Shaw (Autor/in)
Julia Gräfner
Jens Koch
Daria von Loewenich
Caner Sunar
Mercy Dorcas Otieno
Dates
May 2025
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