Performance · Premiere by Daria Iuriichuk , Polina Fenko, Girls in Scores
Their investigation leads them through a ghostly archive of choreographic machines that have observed, classified and disciplined the body throughout history: the Anatomical Theatre, where exposed flesh became a baroque spectacle; the Salpêtrière Hospital, where photographic technologies turned female bodies into objects of diagnosis; and the Soviet factory, where machines reorganised the body according to the rhythms of production.
‘Traces and Exposures’, the new work by Girls in Scores (Daria Iuriichuk and Polina Fenko), navigates this anachronistic terrain of ghosts and algorithms, girls and machines, and traces how the gaze has always choreographed its subjects, even before they had the chance to move at all.
(Pay what you can (10/15/20/25))
Additional information
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