There is no clear evidence that the three symphonies were ever performed together during his lifetime. They were likely composed for a planned concert series in Vienna that never came to fruition.
Each of the three symphonies has a character all its own: In the E-flat major symphony, Mozart replaces the oboes with clarinets, creating a particularly warm sound. The G minor symphony is intense and full of tension and is one of Mozart’s few symphonies in a minor key. The later “Jupiter” Symphony in C major—a nickname later given to it by the London impresario Johann Peter Salomon—ends with an extraordinary finale in which Mozart artfully interweaves five themes. He could hardly have created a more impressive conclusion to his symphonic oeuvre.
- A free introductory lecture will take place at 7:15 p.m. in the foyer on the first floor.
Instrumentation
- Freiburg Baroque Orchestra
- Gottfried von der Goltz, violin and conductor
Program
Wolfgang Amadeus Mozart
Symphony No. 39 in E-flat major, K. 543
Wolfgang Amadeus Mozart
Symphony No. 40 in G minor, K. 550
Wolfgang Amadeus Mozart
Symphony No. 41 in C Major, K. 551 “Jupiter”
Additional information
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