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Felipe Fizkal

This performance, comprising body, space, and sound, takes the form of a two-meter-high anatomical-architectural structure made of flesh, bone, skin, textiles, hair, singing, tides, and visible technical systems.

Supports, light grids, and cables function as a floating skeleton, while human gatherings form muscular masses traversed by rigid platforms like bones. Like historical monuments, it exercises territoriality and embodies memory, knowledge, and cultural perception.

Through cumbia, peasant songs, and the gathering of shells at low tide, it honors ways of thinking that were displaced by German colonial processes in South Latin America and evokes the memory of a precolonial ancestor cult.

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Additional information
Dates
August 2026
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