Fick Dich! Papa

Surreal, abstract, absurd, performative, director Peter Glockner lets the two actors:in Patricia von Miserony and Gianni von Weitershausen collide. In a 2 hour long exchange of blows, with accusatory, reproachful monologues of the daughter, the father tries to justify and defend himself in likewise monologue manifestos.

Against the background of the bourgeois distribution of roles and clichés, the arrival of the one hero is expected for the daughter, whom the father already feels to be obsolete, due to the economic, monetary conditions at home as well as the entire German situation. The father defends neoliberalism, realizing that it has reached its end. Inflation does the rest. This he makes firm in the wrongly interpreted divinity, which he claims for himself, just as he also questions it as such.

This is personified by Wotan in Wagner's Ring of the Nibelungs with his daughter Brünhilde.

She denounces the inflexibility of the father, who himself is supposed to be to blame for the situation he has caused. After all, he created her, mirroring all of us as a society, which we are and in which we live. He accuses her of lacking a sense of his actual motives and motivations for having acted as he did.