To this end, Cohen weaves his own texts with found material from text messages, dating apps, speculative fiction, queer theory and poetry, using a variety of spoken languages. Linear time, gender and sexuality shatter into fleeting forms, shapeless existences and subversive calls to action.
The choreography, too, blends different movement vocabularies: pre-modern, modern and post-modern dance, stage combat and intimacy coordination, video games, cheerleading, beauty pageants, dance competitions, rave culture and TikTok. Everything flows into one another like a digital stream. Within this spectrum of movement, the performers stage precisely choreographed clashes, fight scenes and queer touches. Bodies collide in a controlled manner, culminating in long, tender embraces. This reflects a queer politics of the body: ranging from seething anger, through fantasies of violence, strategic invisibility and defiant presence, to a longing for closeness. In doing so, the performers draw the audience into the collective exhilaration of world-building.
- No language skills required; English, French, German, Mandarin, Russian, Spanish
Additional information
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