Between Concert, Reading, Rehearsal, and Happening
Poetry is understood here not as a universal language, but as a social and material practice:
as spoken, resonant, displayed, fragmented, ambiguous, repeated, restrained, audible material.
At the intersection of concert, reading, rehearsal and happening, we explore together how bodies, voices and music forge connections between people – and how this can sometimes go awry. Between collective rhythm and individual digression, between sensory perception and conceptual friction, bodies, music and the space between people exist in a mode of play and improvisation, of impermanence and contradiction, open to atmospheric impulses.
Additional information
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