Skip to main content

With Francesca da Rimini, the Deutsche Oper Berlin presents a rarely performed masterpiece by the Italian composer Riccardo Zandonai, which oscillates between ecstatic sensuality and brutal power play.



Under the musical direction of Iván López-Reynoso and directed by Christof Loy, this opulent drama of love, betrayal, and deadly passion becomes an intense evening of operatic performances that blend verismo, impressionism, and bel canto tradition.


The plot: Love as rebellion against a patriarchal system


The opera centers on Francesca, a woman who becomes a political bride and escapes into a passionate affair. Her family forces her to marry Giovanni Malatesta, but Francesca mistakenly falls in love with his brother Paolo, who is sent as a bait for her courtship. Trapped in a loveless marriage, she begins a disastrous affair – with fatal consequences. Between desire, deception, and familial intrigue, Francesca becomes the tragic heroine of a story in which individual passion rises against political power interests.


Musical style: A riot of color and a stylistic mix of European modernism


Zandonai composed Francesca da Rimini in 1914 as a powerful opera full of dramatic contrasts. The music combines verismo drama, French Impressionism, Wagnerian influences, and Italian vocal tradition into a passionate soundscape – ideal for the grand stage. The story is based on the scandalous play of the same name by Gabriele D'Annunzio, which caused a sensation at its premiere.


Director: Christof Loy emphasizes the emotional complexity


Director Christof Loy interprets Francesca not only as a victim of a patriarchal system, but also as a self-determined woman full of ambivalence: lover and seductress, betrayed and rebel at the same time. With his sensitive direction, Loy creates a complex psychological profile of a woman who asserts herself in a world dominated by male power – and is destroyed by it.


Cast and Crew

  • Conductor: Iván López-Reynoso
  • Director: Christof Loy
  • Featuring: Sara Jakubiak, Ivan Inverardi, Rodrigo Porras Garulo, Thomas Cilluffo, and others

Duration: approx. 3 hours / One intermission


(In Italian with German and English subtitles)
Additional information
Tragedia in four actsLibretto by Tito Ricordi based on Gabriele D’Annunzio's poem

First performed on 19th February, 1914 at the Teatro Regio in Turin


Digital premiere in streaming at Deutsche Oper Berlin on 14th March, 2021


Audience premiere on 19th May, 2023

recommended from 16 years







Pre-performance lecture (in German): 45 minutes prior to each performance
Participating artists
Iván López-Reynoso (Musikalische Leitung)
Christof Loy (Inszenierung)
Johannes Leiacker (Bühne)
Klaus Bruns (Kostüme)
Olaf Winter (Licht)
Jeremy Bines (Chöre)
Dorothea Hartmann (Dramaturgie)
Sara Jakubiak (Francesca)
Maria Vasilevskaya (Samaritana)
Artur Garbas (Ostasio)
Ivan Inverardi (Giovanni lo Sciancato, genannt Gianciotto)
Rodrigo Porras Garulo (Paolo il Bello)
Thomas Cilluffo (Malatestino dall’Occhio)
Meechot Marrero (Biancofiore)
Hye-Young Moon (Garsenda)
Arianna Manganello (Altichiara)
Martina Baroni (Adonella)
Lucy Baker (Smaragdi)
Michael Dimovski (Ser Toldo Berardengo)
Dean Murphy (Il Giullare)
Patrick Cook (Il Balestriere)
Artur Garbas (Il Torrigiano)
Patrick Cook (Il Prigioniero)
Jan Gerrit Brüggemann (Schauspieler)
Farouk El-Khalili (Schauspieler)
Hanno Jusek (Schauspieler)
Marcus Mundus (Schauspieler)
Emiliano Passaro (Schauspieler)
Andrea Spartà (Schauspieler)
Koray Tuna (Schauspieler)
Benjamin Werth (Schauspieler)
Maximilian Reisinger (Schauspieler)
Nicolas Franciscus (Schauspieler)
Kay Bretschneider (Schauspieler)
Paul Krügener (Schauspieler)
Lukas Lehner (Schauspieler)
Cristiano Afferi (Schauspieler)
Pablo Nina Toculescu (Schauspieler)
Chor der Deutschen Oper Berlin (Chöre)
Orchester der Deutschen Oper Berlin (Orchester)
Dates
October 2025
MoTuWeThFrSaSu
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31