In the solo Brown Madonna, she takes this closeness – and difference – to Madonna as the starting point for a living ethnography. Against the backdrop of the intertwined forces of colonialism, Catholic iconography and global pop culture, Torrado interrogates the ways women in Philippine society are conditioned to be spectacular givers: mothers, martyrs, entertainers, saints.
Together with visual artist and fashion designer Leeroy New, she creates a playful DIY spectacle as a radical search for liberation through embodiment. She addresses the constant work of upholding an idealized self, the overperformance, the dream of making money with one’s own art – and the fatigue, financial precarity, and loneliness that come with it.
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