As part of the "Weimar Room," the temporary branch of the Klassik Stiftung Weimar in Berlin, staff from the Weimar museums will provide insights into current curatorial, restoration, and art-technological considerations surrounding Rembrandt's drawing skills.
Image gallery
Gerbrand van den Eeckhout, Kreuzigung, Detail, um 1635/40, Feder in Braun, laviert, weiß gehöht auf Papier
Rembrandt Harmensz van Rijn, Der klagende Jakob, dem der blutige Rock Jakobs gezeigt wird, Detail, um 1635/37, Feder und Pinsel in Braun, Deckweiß auf Papier
- What does Weimar have to do with Rembrandt, and what role did Goethe play in this?
- Which inks did Rembrandt use, and how can they be analyzed? What is a genuine Rembrandt?
Questions like these will also clarify how collections, research, and connoisseurship connect museums.
With Uwe Golle, Christoph Orth, and Carsten Wintermann from the museums of the Klassik Stiftung Weimar
- Location: Study Room in the Kupferstichkabinett (Museum of Prints and Drawings)
- Free admission
- Limited number of participants
- Online booking recommended
(IN GERMAN)
Additional information
Price info: Admission free of charge.
Booking: booking/prior registration essential
Booking: booking/prior registration essential
Dates
September 2025
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