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Georges Bizet's global success CARMEN is one of the most frequently performed operas of all time – and also one of the most complex. In Ole Anders Tandberg's acclaimed production at the Deutsche Oper Berlin, the work unfolds as a thrilling blend of romantic opera, socially critical drama, and the ironic world of operetta. In powerful, contrasting images, the production skillfully alternates between grotesque moments, shocking moments, and intense emotion.



CARMEN – Bizet's Masterpiece Between Seduction and Rebellion


With Carmen, Bizet created an operatic figure in 1875 that polarizes audiences to this day: seductress, freedom fighter, goddess of fate – Carmen defies any fixed interpretation. She lives radically according to her own rules, rejects social constraints, and becomes a projection screen for desire, power, and fear.


At the same time, Bizet revolutionized the operatic stage with CARMEN. The realistic portrayal of female workers, smugglers, and soldiers—the "little people" on the margins of society—represented a break with the bourgeois-heroic operatic tradition. The story of Don José, whose destructive love for Carmen leads him ever deeper into dependency, criminality, and madness, is not only a tragedy of emotions, but also a reflection of social and gender power relations.


Opera Berlin: Ole Anders Tandberg's production



In his powerful and highly acclaimed production, Ole Anders Tandberg gives the opera classic CARMEN new relevance. His direction combines realistic scenes, luridly grotesque tableaux, and bloody ritual images of bullfighting into a gripping narrative of power, desire, and violence. The aesthetic is at times reminiscent of Tarantino films, with the musical intensity and emotional depth of the work always taking center stage.


Tandberg's Carmen is a complex character: not just an object of desire or an icon of freedom, but a human being who protects herself from emotional trauma behind a dazzling facade. In her relationship with Don José, vulnerability and genuine emotion flash for moments before the deadly drama unfolds.


Cast & Direction:

  • Aleksandra Meteleva / Irene Roberts – Carmen
  • Nina Solodovnikova / Maria Motolygina – Micaëla
  • Andrei Danilov / Vittorio Grigolo / Attilio Glaser – Don José
  • Byung Gil Kim / Joel Allison – Escamillo
  • Musical Direction: Anna Handler / Friedrich Praetorius
  • Director: Ole Anders Tandberg

3 hours / One intermission

In French with German and English surtitles
Additional information
Opéra comique in four acts by Georges Bizet

Libretto by Meilhac and Ludovic Halévy, based on a novella by Prosper Mérimée

First performed on 3rd March 1875, in Paris

Premiered at the Deutsche Oper Berlin on 20th January 2018


Pre-performance lecture (in German): 45 minutes prior to each performance
Participating artists
Anna Handler (Musikalische Leitung)
Ole Anders Tandberg (Inszenierung)
Erlend Birkeland (Bühne)
Maria Geber (Kostüme)
Ellen Ruge (Licht)
Jeremy Bines (Chöre)
Christian Lindhorst (Kinderchor)
Silke Sense (Choreografie)
Aleksandra Meteleva (Carmen)
Meechot Marrero (Frasquita)
Lucy Baker (Mercédès)
Nina Solodovnikova (Micaëla)
Andrei Danilov (Don José)
Navasard Hakobyan (Moralès)
Jared Werlein (Zuniga)
Byung Gil Kim (Escamillo)
Matthew Peña (Remendado)
Artur Garbas (Dancairo)
Kinderchor der Deutschen Oper Berlin (Chöre)
Chor der Deutschen Oper Berlin (Chöre)
Orchester der Deutschen Oper Berlin (Orchester)
Dates
October 2025
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