Tatyana Moskvina’s lavish apartment: Everyone gathers in the living room after dinner. Seven people—more or less closely connected to one another. And there’s Martin’s cigarette case, which sets everything in motion. Martin, the late brother, the lover, the business partner. Martin, around whom everything in the play revolves.
Image gallery
Brandenburger Tor
What begins innocently enough does not end at all as one might have expected at the start: nice and casual. Over the course of the play, all the characters reveal themselves, allowing a glimpse behind the façade. The relationships among them are not what they appear to be on the surface. Not everything is nice and casual, even if some have supposedly settled comfortably into that routine. Romantic relationships are exposed, and dependencies are laid bare. We ask ourselves: What is truth? Is there such a thing as truth? And how much truth is healthy?
The production by Theater Antrepriza Berlin seeks to explore these questions. The characters act alongside one another, interact with one another, and at times play tactical games, but above all else is the need to open up to the other person, to finally reveal what’s going on inside. It is not the exaggeration or the spectacle that makes this crime drama so gripping; it is the everyday human longing for understanding and recognition.
The characters believe their perspective on things must be laid out on the table one way or another, because saying nothing or doing nothing is ultimately an admission of guilt. And who knows—perhaps the characters from “Dangerous Turn” are also holding up a mirror to us from time to time?
- Running time: 2 hours, including an intermission
- In Russian
Dates
October 2026
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