
Asya’s and Therese’s four-week research explores the possibility and potentiality of the destruction of movement and material matter by the means of performative practices, dance and sound.
In this they examine the entanglement between destruction and regeneration, questioning how they can embody both the collapse and the potential for renewal — not as opposites, but as interdependent forces.
Destruction itself interests Asya and Therese as an actualization of rage and empowerment in positions of oppression as well as a space of losing and grief.
Trying to catch this moment of complete destruction, they ask themselves: What is the difference between destruction and deconstruction and its relation to violence? How much violence is there in ending things?
reinkommen (“coming in”) is ada Studio's latest performance series. It gives young choreographers the opportunity to open their work process, invite the audience to come in and to get into conversation.
Additional information
Asya Ashman is a dance artist and performer whose work explores attention hierarchies, deconstructed entertainment, and the eerie. She holds a BA in Dance, Context, Choreography from HZT Berlin and a BA in Fine Arts from the University of Hertfordshire. Asya is the co-founder of Play!Berlin e.V., a project dedicated to working with children with refugee experience. Her practice spans performances, games, and workshops that emphasize collaboration and experimentation across disciplines and ages. As a performer, she has worked with artists such as Meg Stuart, Julian Weber, Isabelle Schad, Olga Tsvetkova, and Tatyana Chizhikova. Her works have been presented at Garage Museum, ZIL, and SDVIG (RU), ada Studio and Uferstudios (GER), Confort Mental (FR), Cross Project (IT), and others.
Therese Bendjus is a performance maker originally from Dresden. After having traded her medical studies for an education in dance, Therese graduated from the BA Dance, Context, Choreography at HZT Berlin and was a fellow of Studienstiftung des deutschen Volkes. In her own works she challenges the measurable/diagnosable in order to access spaces of uncertainty and vagueness – building multi-sensorial spaces that encourage people to be vulnerable, intimate and brave with one another and themselves. As a performer, Therese worked amongst others with artists such as Biret Haarla Pieski, Jule Flierl, Kirill Savchenkov, Lilly Pöhlmann and Rolando Villazon.
Therese Bendjus is a performance maker originally from Dresden. After having traded her medical studies for an education in dance, Therese graduated from the BA Dance, Context, Choreography at HZT Berlin and was a fellow of Studienstiftung des deutschen Volkes. In her own works she challenges the measurable/diagnosable in order to access spaces of uncertainty and vagueness – building multi-sensorial spaces that encourage people to be vulnerable, intimate and brave with one another and themselves. As a performer, Therese worked amongst others with artists such as Biret Haarla Pieski, Jule Flierl, Kirill Savchenkov, Lilly Pöhlmann and Rolando Villazon.
Dates
October 2025
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