Constanza Macras
The Hunger explores excess. Inspired by the historical events fictionalized in the novel *The Stranger Witness* by Argentinian writer Juan José Saer, The Hunger follows the experiences of European colonizers in the Rio de la Plata region of South America at the beginning of the 16th century.
An indigenous group attacks Spanish colonizers in what is now northern Argentina. There is only one survivor, who integrates into the tribal society of the Colastiné. Much later, he is freed by the Spanish and witnesses, reflects on, and recalls his experiences.
In The Hunger, cannibalistic rituals are transferred to other forms of greed: from colonialism to the consumer frenzy of contemporary capitalism to the hyperproduction of an endless now on social media. Cyclical and collective rituals are intended to help maintain a fragile sense of reality, a kind of "normality" with its own social conventions and rules.
“The transformation of taboo into a totem” resonates in new forms of boundary shifts, while our own intimacy is swallowed up by the representational logics of the digital world. Does reality only exist when someone observes it?
GERMAN / ENGLISH SUBTITLES
Additional information
Participating artists
Candaş Baş (von und mit)
Adaya Berkovich (von und mit)
Alexandra Bódi (von und mit)
Emil Bordás (von und mit)
Chloe Chua (von und mit)
Oksana Chupryniuk (von und mit)
Deborah Dalla Valle (von und mit)
WooSang Jeon (von und mit)
Khaled (von und mit)
Moritz Lucht (von und mit)
Thulani Lord Mgidi (von und mit)
Steph Quinci (von und mit)
Anne Ratte-Polle (von und mit)
Artemis Chalkidou (von und mit)
Miki Shoji (von und mit)
Shiori Sumikawa (von und mit)
Constanza Macras (Konzept, Regie & Choreographie)
Simon Lesemann (Bühne)
Slavna Martinovic (Kostüme)
Robert Lippok (Musik)
Kristina Lösche-Löwensen (Komposition Chormusik)
Kevin Sock (Licht)
Kathrin Krottenthaler (Live-Kamera)
Carmen Mehnert (Dramaturgie)
Tamara Saphir (Dramaturgie)
Leonie Hahn (Dramaturgie)
Dates
January 2026
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