
Exhibition and research project
The exhibition and research project "Global Fascisms" focuses on the aesthetic, social and political dynamics of fascism by examining its impact and ideological functioning. Rather than considering fascism as a historical phenomenon, the project aims to understand it as an ongoing global challenge that extends beyond a temporary definition and manifests itself in a wide variety of political, cultural and social contexts.
The project examines both historical and current contexts in which right-wing extremist ideologies flourish, and questions central concepts such as ‘identity’, ‘community’ and ‘belonging’.
A wide range of works and media make fascism accessible as an ongoing global challenge.
Around fifty international artists present a wide range of media in the exhibition, including painting, film, performance, discourse, publications and digital formats that address the rise of fascist ideologies.Historical artworks complement the group exhibition, revealing fascinating continuities between the past and the present.
The exhibition offers insights into the seductive affects and aesthetics of fascist ideologies, while also addressing the social and technological components that underlie these dynamics.
Contemporary echo chambers and nostalgic myths
‘Global Fascisms’ sheds light on mechanisms that sustain fascist ideologies, showing how social media can reinforce fascist tendencies by creating echo chambers. It also discusses how the invocation of nostalgic myths of supposedly “golden ages” functions as an authoritarian rhetorical device.The project also considers the relationship between economic inequality, migration and the politicisation of religion to understand how these factors fuel nationalist sentiment.
Art and research as critical allies
By combining art and interdisciplinary research, Global Fascisms opens up new perspectives on urgent contemporary issues, particularly in light of the fact that more and more electorates worldwide are turning to right-wing, far-right and authoritarian movements.In doing so, art is understood not only as a medium of reflection, but also as an active force that consciously opposes authoritarian aesthetics and ideologies.