The title may take some getting used to, but the content certainly isn't. Ionesco's 1948 "anti-play," which ignores all previously accepted rules of theater and features more than just a wall clock going crazy, is considered the founding document of the Theater of the Absurd, which became famous in the 1950s through Samuel Beckett and others.
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Die kahle Sängerin
(IN GERMAN)
Additional information
Participating artists
Eugène Ionesco (Autor/in)
Anita Vulesica
Beatrice Frey (Mrs. Smith)
Moritz Grove (Mr. Smith)
Evamaria Salcher (Mrs. Martin)
Frieder Langenberger (Mr. Martin)
Katrija Lehmann (Dienstmädchen Mary)
Raphael Muff (Feuerwehrmann)
Lars Lehmann (Kahle Sängerin)
