The film shown as part of the exhibition challenges the promises of modernisation and traces the social, ecological and cultural consequences of resource extraction. Drawing on a combination of personal accounts, collective memory and ecological historiography, Baiana asks how notions of progress determine whose lives, landscapes and knowledge are valued. The discussion explores filmmaking as a practice of listening and preservation, and poses the question: how can art preserve memories threatened with disappearance whilst simultaneously developing forms of care for damaged ecosystems and the communities associated with them?
- Part of ‘Not All Travellers Follow Paths – Humanity as Practice’, 36th São Paulo Biennial, Berlin Edition.
IN ENGLISH
Additional information
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