Top Event
Georg Friedrich Händel "Messiah"
13 April 1742: in the New Musick Hall on Fishamble Street, full to breaking point, Dublin’s music enthusiasts jostle. On the programme: a brand new oratorio by George Frideric Handel. At the end of Messiah’s magnificent closing fugue, it was probably not clear to everyone present that they had experienced the birth of one of the most famous pieces in all of music history.
Soon Messiah would be degraded to an institution marketed shamelessly with much pathos and martial choral regiments, a spectacle in which Handel’s intimate thoughts on the Christian events of Christmas and Easter seemed hopelessly lost. A long time would pass before a change of approach and a historical reorientation occurred.
We can count ourselves lucky to hear this oratorio, almost popularised to death over two centuries, in the present day – especially in such stylistically conscientious, sensitive, but splendidly vital and spirited performances as those offered for over seven decades by the RIAS Kammerchor Berlin. They transport Handel’s true intentions.
Participating artists
Justin Doyle (Dirigent)
Julia Doyle (Sopran)
Tim Mead (Altus)
Thomas Hobbs (Tenor)
Roderick Williams (Bass)
RIAS Kammerchor Berlin
Akademie für Alte Musik Berlin