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The exhibition by two Korean artists, Sunjeong Hwang and Wonhae Hwang, features works created in 2025 during their stay in Berlin, combining video, sound and painting.


The exhibition explores contemporary visual cultures in the field of tension between technological immersion and material resistance.


Sunjeong Hwang works with video, sound, generative systems and installation, developing immersive environments based on AI, field recordings and speculative interfaces. Her works negotiate questions of networked perception, non-human actors and ecological systems, while at the same time exposing the control mechanisms of digital interfaces.

In contrast, Wonhae Hwang approaches the digital image through painting. Based on urban observations, architectural fragments and screen-based imagery, he creates multi-layered pictorial surfaces in which opacity, distortion and visual fatigue play central roles. Here, painting does not appear as a retreat from the digital present, but as a medium that operates even under conditions of overload and visual saturation. Instead of playing video and painting off against each other, the exhibition unfolds a productive tension between the two positions. Meaning arises where images falter, interrupt themselves or elude smooth legibility.


Developed in the context of the 68projects residency programme, the exhibition deliberately sees itself as an open process and a testing ground for perception under conditions of permanent acceleration.


The exhibition opens on Friday, 6 March 2026, from 6 to 9 p.m. and can be seen until 23 April 2026 at 68projects, Fasanenstraße 68, Berlin.

68projects, Fasanenstr. 26, 10719 Berlin, Charlottenburg

Opening hours:
Tuesday - Saturday: 11:00 a.m. - 6:00 p.m.
Sunday - Monday: Closed

Dates
March 2026
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