DICK & DANGER'S CHRONIC DRAG SHOW

Allia Sadeghipour (The Golden Dick) is a Queer Iranian-American educator, public speaker, workshop developer, award winning storyteller, performer, producer, Drag King and Non-Profit President (WWBL) with over a decade of teaching experience. After graduating from Humboldt University (Bachelors in English Teaching & Pedagogy) and California State University San Marcos (Masters in Literature and Writing Studies), they began teaching English language, critical thinking, academic writing, media theory, modern storytelling, Feminist and Queer studies courses both online and in-person in the United States and Germany. She has developed and presented workshops and training seminars for students, teachers, and businesses both in person and online for organizations like GLADT (Schwarzen und of Color Lesben, Schwulen, Bisexuellen, Trans*, Inter* und Queere Menschen) Berlin, Deutsche Welle, and various Feminist Film Organizations (EQUIS Ecuadorian Film Festival, the Feminist Film Festival Berlin & International Female Film Makers Festival). A strong leader who is heavily connected to the creative community in Berlin, they have also had the honor of performing for Pop-Kultur, the Humboldt Forum, GLADT, Wicked, Nightschool Berlin, Viva Con Aqua, the IDP Collective, Media for Change, Refuge Worldwide, the Iranian Re(connect) Festival, and much more!

By sharing her narratives and perspectives, she hopes to reach out to the world and introduce them to hers.

www.awerfjil.com

www.wearewwbl.com 

@awerfjil #awerfjil @thegoldendickdragking



 

Angel (Angel*o Danger*o) is a non-binary queer performer, producer, choreographer, Drag CRing (creature to king), and educator based in Berlin. Originally from Italy, they studied Literature in the University of Milan and Acting in the Academy of Bologna, before completing an MFA in Devised Theatre and Performance Practice from Arthaus & Rose Bruford College in Berlin/London. 

 

Angel has collaborated internationally as physical theatre performer, educator and choreographer with Divadlo Continuo Theatre in Malovice, in immersive, movement-based productions (Please Leave a Message, 8, In the circle, A boat) across Germany, the Czech Republic, and Poland. 

In Berlin Angel created TaranTa_Ta, a piece exploring powerful feminine expression, and collaborated with Replica Collective on Dancing at the Edge of the World, where physical theater meets feminist ideas and AI tech, performing in Berlin (TU, Udk) and Dresden (TU).

Angel is a member of the polyphonic ensemble Perperúna. With funds from Musikfonds and Culture Moves EU, the ensemble is bringing a rich vocal heritage with contemporary arrangements through Germany and Greece.

 

As a queer community activist and educator, Angel co-created Flintalicious, a kinky, sex-positive FLINTA party in Insomnia Club to foster a safer and playful space in Berlin. Additionally, Angel is a certified yoga and movement instructor, offering classes and workshops that integrate creative embodiment and mindfulness. Committed to queer and feminist practices, Angel creates interdisciplinary works that amplify marginalized voices and try to challenge societal norms.

 

https://www.angelperformer.com/

https://perperuna.webnode.page/

@angel_in_solitude



 

Cast Bios

Beyefendi (The Gentleman) is the drag king persona of Berfusra, a Kurdish singer-songwriter, poet, and performance artist from Turkey. Currently pursuing a master’s degree in Cultural Studies and American Literature, Berfusra brings an academic lens to their genderfluid, interdisciplinary art practice. Their work explores themes of identity, masculinity, migration, and cultural displacement through live vocals, movement, theatricality, and poetry.

 

As a drag king, they explore gender and masculinity from the unique perspective of a refugee Kurdish man in Germany, focusing on different aspects of identity through storytelling, often intertwined with their other drag personas: Hanımefendi, a Kurdish pavilion singer deeply assimilated into Turkish nationalism, and Sofya, a Bulgarian-Turkish webcam girl. Beyefendi is known for his versatility, embodying characters ranging from a radiant international pop star to a melancholic, drunken folk singer from Istanbul’s ghettos — always playing with gender norms, satire, and charisma.

 

Since relocating to Germany in 2023, Berfusra has performed across multiple mediums and stages, including SO36, Festsaal Kreuzberg, Ballhaus Prinzenallee, Volksbühne, and Aeden. They have been featured in festivals such as Proud Haram Festival (2024, 2025), Garbicz Festival (2024), and Blade Festival (2025), and have taken part in projects like König Drag Show (2023) and Dyke High: Magic Dyke* (2025).

@berfusra

Jude Fieldman (Fae Gelegh/פֿייגעלע) was born and raised in Brooklyn, NYC and started his career in drag at the ripe age of sixteen by performing with other trans* youth as a part of a street performance drag troupe called Lil’ Park Drag Show in the East Village, Manhattan. Shortly after beginning to perform in NYC’s most beloved queer bars (Sandy Jack’s and Pink Metal) Fae Gelegh flew across the ocean like a “little bird" to Berlin to pursue a degree in Arts and Aesthetics at Bard College Berlin. There he studies sculpture and performing arts. He regularly performs and works at Tipsy Bear Berlin amongst other bars and venues such as Silver Future, Klunker Kranich, West Germany, SO36, and BallHaus Ost. Fae Gelegh evokes the spirit of an ancient Yiddish fairy shape-shifter that takes the form of the most charming, handsome king and sometimes a flirtatious, flamboyant queen. If you're lucky you will catch the active metamorphosis of Fae Gelegh into his authentic non-human, gender-failure illusion. With his roots in DIY drag and punk scenes, Jude harnesses the power of embodiment and imagination to take his audience on an emotional journey that leaves them wanting more.

@jude_loves_you_too @fae_gelegh

Tool Klit moves between genders and cultures, climbing trees to catch the last evening sun and sticking their nose in jasmine flowers.

They turn childhood mischief into kaleidoscopic gender chaos, juggling gender norms, exploring multiple belongings and shaking off old crusty layers of religious shame.

Inspired by the circus and mushroom networks, they resist borders with playfulness, rhythms and just a little trouble.

 

@kaleidolicious