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Nia Torres & Nisham

DFORMADXS arises from the question: Do we humans really know bodies and do they accept the identity that has been given to them?


They present a "dissident being" where she/he will experience throughout her/his journey and development a construction of herself/himself. Becoming aware of all the construction/manipulation that the hegemonic, patriarchal system exerts on her mind and body. A mutable and perfomatic matter that will (de)form and (de)construct itself anew. 

In U.T.C.H. (Una Tarde Comiendo Hormigas), a global pandemic forces people into domestic isolation; a return to work is impossible. Creating an increase in the cost of living and basic supplies. The priority now is survival, eating and paying debts.

This situation puts in check our 2 protagonists, a Colombian and a Spanish, who are trapped in a small apartment. With no exit date in sight, a series of situations will occur that will test their emotional and mental endurance, escaping from all logical reality/time space.
Additional information
DFORMADXS

Creation, artistic direction, choreography: Nia Torres

Performance, dance: Eva Rosinach, Melissa Molina, Nia Torres

Music: Juan Grajales, Siete Catorce, Bwoy de Bhajan, Sinjin Hawke

Lightdesign: Toni Morales Vargas, Olga Álvarez

Makeup: Paula Rodriguez, Catalina Cáceres

Image, video:Joshep Merrick, Marc Costa

 

 

U.T.C.H. (Una Tarde Comiendo Hormigas)

Creation, choreography, performance: Nia Torres and Melissa Molina

Costume: Melissa Molina Cortés

Music: Tosca, Song „Suzuki“ from Album „Deeper Understanding“

Visuals: „The City of Ants“ (Documentary)

Recording: Olga Segura, Miguel Alvarez

Editing: Olga Segura

Production: Cia. Nisham

Support by Centro Cívico Bon Pastor - L'Estruch fàbriques de creació
Dates
March 2024
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